The National Theatre
Washington, DC
presents
Best Little Whorehouse in Texas Logo jpg (41k)

Played MAY 8 through MAY 20, 2001

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BOX OFFICE HOURS

May 6, 2001, Sunday: Noon to 6 pm

May 7 through May 20, 2001:
Monday: 10 am to 6 pm
Tuesday through Saturday 10 am to 9 pm
Sunday Noon to 9 pm

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PERFORMANCES

Tuesday through Saturday at 8 pm
Sunday Evenings at 7:30
Saturday and Sunday Matinees at 2 pm

Narrated Performance for the Visually Impaired
Sunday Matinee, May 13th at 2 pm

Signed Performance for the Hearing Impaired
Sunday Matinee, May 20 at 2 pm

The performance runs approximately two and one half hours, including one intermission.
This show contains "four-letter-word" language, and is recommended only for ages 15 and above.

TICKET PRICES

Orchestra                    $75
Mezzanine Rows A-K           $75
Mezzanine Rows L-M           $60
Balcony Rows A-D             $60
Balcony Rows E-J             $35
Mezzanine Boxes              $75
Balcony Boxes                $60



Ann-Margret in the Best Little Whorehouse in Texas gif (18k)
Based on an original story, this Tony nominated musical will have feathers flying
as we head back to the Chicken Ranch and all its crazy antics.
Film and stage star Ann-Margret will star as the madam, Miss Mona.

THE WORLD'S SEXIEST STAR IN THE WORLD'S SEXIEST MUSICAL

Having achieved superstardom in the world of film, television recording and the concert stage, the legendary Ann-Margret makes her theatre debut in a spectacular new production of this Broadway smash hit.  The brand new production features new music written especially for Ann-Margret, and lavish new costumes designed by Bob Mackie.  Two-time Tony winner Thommie Walsh - the show's original co-choreographer - directs and choreographs.  Produced by Manny Kladitis, the show features a book by Larry L. King and Peter Masterson, with music and lyrics by Carol Hall.

Frequently courted by Broadway producers, Ann-Margret had searched for years for the right vehicle as her theatre debut before choosing the role of the tough, loving brothel madam Mona Stangley in the Tony-winning The Best Little Whorehouse in Texas.  One of the world's most glamorous stars, Ann-Margret is also one of the most honored, with two Academy Award nominations (Mike Nichols' Carnal Knowledge and Tommy), six Emmy nominations (including Life of the Party: the Pamela Harriman Story, The Two Mrs Grenvilles and A Streetcar Named Desire), five Golden Glove awards and three "Female Star of the Year" awards from the United Motion Pictures Association.  Among her many other credits ar the films Bye, By Birdie; Viva Las Vegas; Grumpy Old Men and Any Given Sunday, as well as the TV films Scarlett, Showtime's The Happy Face Murders and NBC's mini-series The Tenth Kingdom.  Her latest film, The Last Producer starring Burt Reynolds is scheduled for released this year.

Whorehouse is the rousing musical tale of Miss Mona's Chicken Ranch brothel, a "lil' bitty pissant country place," and a welcome neighbor in tiny Gilbert, Texas, for more than a century.  When a puritanical TV reporter discovers the Chicken Ranch and demands its closing, the state's hypocritical politicians (and frequent Chicken Ranch customers) are pitted against Miss Mona and her "girls."

The Best Little Whorehouse in Texas originally opened off-Broadway in April 1978, receiving such acclaim that it moved immediately to Broadway that June.  There it received seven Tony nominations (including Best Musical and Best Choreography), won two Tony Awards and two Drama Desk Awards and played to sold-out houses for nearly four years.

Ann-Margret had long been sought for the role of Miss Mona by the show's writers.  Co-writer Peter Masterson said of the casting coup, "I have wanted Ann-Margret to do Whorehouse since 1983; that's how long I've been thinking about her playing Miss Mona."

 "The role of Miss Mona is not only that of a glamorous madam," says composer/lyricist Carol Hall, "it's a woman with a sly sense of humor and a great deal of wisdom..  I've always wanted to see Ann-Margret in the part." Book writer Larry L. King, whose magazine article inspired the musical, said, "I think the melding of the role and an actress-singer-dancer as accomplished as Ann-Margret is a blessing for all of us - including the lucky audience."

Based on the remarkable true story of Edna Milton and the closing of her Chicken Ranch brothel in La Grange, Texas in 1973, The Best Little Whorehouse in Texas was created by a quartet of transplanted Texans - composer/lyricist Carol Hall, book writer Larry L. King, co-book writer and director Peter Masterson and co-director/choreographer Tommy Tune.  The show began life as a 1974 Playboy magazine article by King, which was developed into a musical at the venerable Actors Studio, then grew to its off-Broadway and Broadway incarnations.

The show has fueled controversy since its inception.  During its original Broadway run, three of New York's seven TV stations refused to run commercials with the show's title in them, making for a commercial that never once mentioned the product it was selling.  Later, the New York City Transit Authority - bowing to pressure from the Catholic Archbishop - ordered the removal of bus ads proclaiming, "Have Fun at the Whorehouse!" Long a target of religious groups, the show still faces occasional censorship.  Just two years ago, Wentworth College outside Boston closed down a student production of the show, deeming it "dangerous."

The new production promises to retain the ingeniously inventive staging, hailed by the New York Times as "brilliant," and the good-natured sexuality of the show, while bringing a franker, contemporary sensibility.

CAROL HALL (Music/Lyrics) received two Drama Desk for The Best Little Whorehouse in Texas.   Its song "Hard Candy Christmas" won an ASCAP Award as one of the most performed Country Songs of 1983.  Hall was a major writer on the Emmy-winning special "Free to Be ... You and Me" and was a contributing editor and songwriter on its sequel "Free To Be ... A Family.  " Other work includes the Off-Broadway musical To Whom It May Concern; contributions to A ... My Name is Alice and A ... My Name is Still Alice and ten years of songs for "Sesame Street." Her cabaret evening The Songs of Carol Hall won two Bistro Awards and a Manhattan Association of Cabaret award and continues at the Firebird Cafe.  She is currently working on a musical entitled Technicolor: Ten Love Stories.

LARRY L. KING (Book) won a Tony nomination for Best Book of a Musical for Whorehouse.  He has written several produced plays, including the award-winning The Night Hank Williams Died, The Kingfish, The Golden Shadows Old West Museum and most recently, The Dead Presidents Club, which finds Nixon, LBJ, Harry Truman and Calvin Coolidge in Purgatory and trying to bargain their way in to see God and plead for slots to Heaven.  A native Texan, Mr. King is also the author of 13 books, hundreds of magazine article, several TV documentaries, two screenplays and numerous short stories.

PETER MASTERSON (Book), after years as an actor on Broadway and film, co-wrote and directed the original Broadway and London productions of The Best Little Whorehouse in Texas, winning the 1978 Drama Desk Award for Best Director and receiving Tony nominations for both Director and Libretto.  Also on Broadway, he co-wrote and co-directed The Best Little Whorehouse Goes Public in 1994.  Off-Broadway: The Last of the Knucklemen (1981), The Cover of Life (1994)  and The Young Man from Atlanta (1995), which received a Pulitzer Prize.  In the last several years he has directed nine feature films, including the Academy award-winning The Trip to Bountiful as well as Full Moon in Blue Water, Convicts and The Only Thrill.

THOMMIE WALSH (Director/Choreographer) burst onto the Broadway scene creating the role of Bobby in the original company of A Chorus Line.  His choreographic debut on Broadway was The Best Little Whorehouse in Texas with Tommy Tune for which they received a Tony nomination.  He went on to choreograph the Broadway productions of A Day in Hollywood/A Night in the Ukraine (winning Tony and Drama Desk Awards), 1982's Best Musical Nine, Lunch Hour, My One and Only (Tony and Drama Desk Awards) and My Favorite Year.  He co-authored the book On The Line, Creating A Chorus Line in 1990.

This engagement in is part of a coast-to-coast national tour of the show to some 30 cities across the United States.


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